How to Play Bata Mere Yaar Sudama Re Sargam Notes
Learn Bata Mere Yaar Sudama Re Sargam Notes with step-by-step swarlipi notation, featuring complete Bata Mere Yaar Sudama Re Harmonium Notes and Bata Mere Yaar Sudama Re Flute Notes. Perfect for beginners and classical music enthusiasts mastering Haryanvi Bhajan Sargam.
Celebrating the divine friendship of Krishna and Sudama, this Haryanvi folk bhajan features a memorable, heartfelt melody that sounds enchanting on flute.
Discover more folk and devotional gems in our Bollywood Sargam Notes archive.
- S
- R
- G
- M
- P
- D
- N
Intro :
BATA MERE YAAR SUDAMA RE
SD.S SS SRR PPmm GGRgR
Song:
BATA MERE YAAR SUDAMA RE
SD.S SS SRR PPmm GGRgR
BHAI GHANE DINON MEIN AAYA
RS SR ggR RS SS
Stanza:
BA….LAK THA RE JAB AAYA KARTA
F#F….D#F RggR RRRRSS
ROZ KHEL KE JAAYA KARTA
F#F….D#F RggR RRRRSS
HUYE KE TAKRAAR SUDAMA RE
SD.S SS SRR PPmm GGRgR
BHAI GHANE DINON MEIN AAYA
RS SR ggR RS SS
Stanza:
MANNE SUNA DE KUTUMB KAHANI
F#F….D#F RggR RRRRSS
KYUN KAR PAD GI THOKAR KHANI
F#F….D#F RggR RRRRSS
TOTE KI MAAR SUDAMA RE
SD.S SS SRR PPmm GGRgR
BHAI GHANE DINON MEIN AAYA
RS SR ggR RS SS
Stanza:
SAB BACHHON KA HAAL SUNA DE
F#F….D#F RggR RRRRSS
MISRANI KI BAAT BATA DE
F#F….D#F RggR RRRRSS
RE KYUN GAYA HAAR SUDAMA RE
SD.S SS SRR PPmm GGRgR
BHAI GHANE DINON MEIN AAYA
RS SR ggR RS SS
Stanza:
CHAAHIYE THARE TANNE PAHLAM AANA
F#F….D#F RggR RRRRSS
ITNA DUKH NAHI PADTA THAANA
F#F….D#F RggR RRRRSS
KYUN BHULLYA PYAR SUDAMA RE
SD.S SS SRR PPmm GGRgR
BHAI GHANE DINON MEIN AAYA
RS SR ggR RS SS
Stanza:
IB BHI AA GAYA THEEK BAKHAT PE
F#F….D#F RggR RRRRSS
AAJA BAITH JA MERE TAKHAT PE
F#F….D#F RggR RRRRSS
HO JIGRI YAAR SUDAMA RE
SD.S SS SRR PPmm GGRgR
Stanza:
IB BATA TANNE KADE BITHA LOON
F#F….D#F RggR RRRRSS
KAROON SAHUKAR SUDAMA RE
SD.S SS SRR PPmm GGRgR
BHAI GHANE DINON MEIN AAYA
RS SR ggR RS SS
Intro :
BATA MERE YAAR SUDAMA RE
साध़सा सासा सारेरे पपमम गगरेग॒रे
Song:
BATA MERE YAAR SUDAMA RE
साध़सा सासा सारेरे पपमम गगरेग॒रे
BHAI GHANE DINON MEIN AAYA
रेसा सारे ग॒ग॒रे रेसा सासा
Stanza:
BA….LAK THA RE JAB AAYA KARTA
F#F….D#F रेग॒ग॒रे रेरेरेरेसासा
ROZ KHEL KE JAAYA KARTA
F#F….D#F रेग॒ग॒रे रेरेरेरेसासा
HUYE KE TAKRAAR SUDAMA RE
साध़सा सासा सारेरे पपमम गगरेग॒रे
BHAI GHANE DINON MEIN AAYA
रेसा सारे ग॒ग॒रे रेसा सासा
Stanza:
MANNE SUNA DE KUTUMB KAHANI
F#F….D#F रेग॒ग॒रे रेरेरेरेसासा
KYUN KAR PAD GI THOKAR KHANI
F#F….D#F रेग॒ग॒रे रेरेरेरेसासा
TOTE KI MAAR SUDAMA RE
साध़सा सासा सारेरे पपमम गगरेग॒रे
BHAI GHANE DINON MEIN AAYA
रेसा सारे ग॒ग॒रे रेसा सासा
Stanza:
SAB BACHHON KA HAAL SUNA DE
F#F….D#F रेग॒ग॒रे रेरेरेरेसासा
MISRANI KI BAAT BATA DE
F#F….D#F रेग॒ग॒रे रेरेरेरेसासा
RE KYUN GAYA HAAR SUDAMA RE
साध़सा सासा सारेरे पपमम गगरेग॒रे
BHAI GHANE DINON MEIN AAYA
रेसा सारे ग॒ग॒रे रेसा सासा
Stanza:
CHAAHIYE THARE TANNE PAHLAM AANA
F#F….D#F रेग॒ग॒रे रेरेरेरेसासा
ITNA DUKH NAHI PADTA THAANA
F#F….D#F रेग॒ग॒रे रेरेरेरेसासा
KYUN BHULLYA PYAR SUDAMA RE
साध़सा सासा सारेरे पपमम गगरेग॒रे
BHAI GHANE DINON MEIN AAYA
रेसा सारे ग॒ग॒रे रेसा सासा
Stanza:
IB BHI AA GAYA THEEK BAKHAT PE
F#F….D#F रेग॒ग॒रे रेरेरेरेसासा
AAJA BAITH JA MERE TAKHAT PE
F#F….D#F रेग॒ग॒रे रेरेरेरेसासा
HO JIGRI YAAR SUDAMA RE
साध़सा सासा सारेरे पपमम गगरेग॒रे
Stanza:
IB BATA TANNE KADE BITHA LOON
F#F….D#F रेग॒ग॒रे रेरेरेरेसासा
KAROON SAHUKAR SUDAMA RE
साध़सा सासा सारेरे पपमम गगरेग॒रे
BHAI GHANE DINON MEIN AAYA
रेसा सारे ग॒ग॒रे रेसा सासा
Set your root key (Sa) on Kali 2 (D#). Notes marked with dot below (.N, .D) belong to Mandra Saptak (lower octave), while plain notes are Madhya Saptak.
For optimal pitch matching with the original song, use an E Natural (Bass) Bansuri. Notes marked with an apostrophe (') belong to Taar Saptak (high octave) and require tighter embouchure and faster air velocity. Lowercase notes indicate Komal swaras (half-hole covering).
Also suited for vocal riyaz — sing the swaras under each lyric line at a slow tempo.
Report a notation error
Song Info
| Root Note (Sa / सा) | Kali 2 (D#) |
|---|---|
| Harmonium Scale | Kali 2 (D#) |
| Flute Key | E Natural (Bass) |
Frequently Asked Questions
How do I read the Sargam notation for Bata Mere Yaar Sudama Re?
Sargam uses Indian swara names — Sa (सा), Re (रे), Ga (ग), Ma (म), Pa (प), Dha (ध), Ni (नी). A dot below a swara (e.g. .N) means the lower octave (Mandra Saptak); an apostrophe above (e.g. S') means the higher octave (Taar Saptak). Komal (flat) and teevra (sharp) variants are marked in the notation. Follow each lyric line with the swaras underneath and practice slowly on harmonium or bansuri. For a full walkthrough, see How to read Sargam notes on Kpnotes.
Which root note (Sa) and scale should I use for Bata Mere Yaar Sudama Re?
Root Note (Sa): Kali 2 (D#) (tune Tanpura to this pitch). Harmonium: Set Sa key on Kali 2 (D#). Bansuri: E Natural (Bass) flute recommended (3 holes closed = Sa).
What notation formats are on this Bata Mere Yaar Sudama Re Sargam page?
This page includes: Sargam swaras (S R G M), Hindi script सरगम. Use the tabs above the notes to switch between Latin swaras and Hindi script when both are available.
Is this piano letter notes or Sargam?
This page is Indian classical Sargam for harmonium and bansuri — not Western piano letter notes. Open the piano letter notes version →
Is Bata Mere Yaar Sudama Re suitable for beginners on harmonium or bansuri?
Start at a slow tempo and learn one phrase at a time. Set your harmonium Sa to the recommended scale, match the flute size to the suggested pitch, and loop difficult passages before connecting sections. The practice tips on this page explain octave markers for your instrument.